Hoppé Portraits:
Society, Studio and Street


The missing link in British photography between Frederick Evans
and those contrasting moderns, Bill Brandt and Cecil Beaton.”

— Mark Haworth-Booth


In the 1920s and 30s Emil Otto Hoppé (British, German born, 1878–1972) was one of the most sought-after photographers in the world. He spent the first decade of his career pioneering the art of celebrity portraiture. Breaking with the formal stiffness of the Victorian studio, Hoppé’s early twentieth century portraitsdepicted writers such as George Bernard Shaw, H.G. Wells, T.S. Eliot, and Ezra Pound, legendary dancers such as Vaslav Nijinsky and Margot Fonteyn, and royals of the Edwardian era in a shocking new way: they looked natural.

Hoppé’s studio in South Kensington was a magnet for the rich and famous, and for years he actively led the global art scene on both sides of the Atlantic while also photographing around the globe, making over thirty photographically-illustrated books, establishing himself as a pioneering figure in photographic art and photojournalism.

In the 1930s Hoppé left the studio to make photographs of British street life. These pictures, sometimes funny and often poignant, explored ideas about class and typology that paralleled the writings of his friend, the playwright George Bernard Shaw. Using a hidden camera, Hoppé photographed people at the other end of the social spectrum: sleeping rough, living in hostels, and barely getting by. He also immersed himself in London’s growing immigrant communities. As waves of immigration from Europe, Asia, and Africa turned Britain into a multicultural nation, Hoppé was making its collective portrait. His photographs show a nation with one foot planted firmly in the past, and another reaching toward the future.

The exhibition brings both sides of Hoppé’s work together for the first time, and marks the rediscovery of Hoppé as a pivotal figure in Edwardian art and photo-modernism.

Curatorial exhibitions represent an efficient, cost-sharing model to help your organization thrive, even during these challenging times.

Our exhibitions are:


WORKS
142 photographs, 10 cased objects (vintage magazine articles, books, cartoons)

DIMENSIONS

14 x 11 inches (35 x 28 cm) to 20 x 16 inches (50 x 40 cm)

SPACE REQUIREMENTS

400 linear feet (120 linear meters)

INQUIRIES

exhibitions@curatorial.org
626.577.0044

FEE

$12,000 for an eight-week period

SCHEDULE
Monash Gallery of Art, Melbourne
(June 9, 2012 – July 29, 2012)

Fundación MAPFRE, Madrid
(March 5, 2012 – May 20, 2012)

National Portrait Gallery, London
(February 17, 2011 – May 30, 2011)


ARTIST BIOGRAPHY
Emil Otto Hoppé (1878-1972) was one of the most important art and documentary photographers of the modern era whose artistic success rivaled those of his peers, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) and Walker Evans (1903-1975). Hoppé was one of the most renowned portrait photographers of his day, as well as a brilliant landscape and travel photographer. His strikingly modernist portraits describe a virtual Who’s Who of important personalities in the arts, literature, and politics in Great Britain and the US between the wars. Among the hundreds of well-known figures he photographed were George Bernard Shaw, H.G. Wells, A.A. Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Leon Bakst, Vaslav Nijinsky and the dancers of the Ballets Russes, and Queen Mary, King George, and other members of the Royal Family.

CURATOR BIOGRAPHY
Phillip Prodger is a museum professional, curator, author, and art historian. He is the Senior Research Scholar at the Yale Center for British Art and formerly served as Head of Photographs at the National Portrait Gallery, London.


EXHIBITION CHECKLIST

Hoppé Portraits: Society, Studio and Street

Download PDF

hoppe+portraits.jpeg

PUBLICATION

Hoppé Portraits: Society, Studio and Street
(National Portrait Gallery Publications, 2011)

REVIEWS
La Nueva España, Joaquín Rábago, March 20, 2012
El Mundo, Elena Vozmediano, March 16, 2012
Paper Blog, Carol, March 16, 2012
El Mundo, Alfredo Merino, March 9, 2012
Diario ABC, Antonio Astorga, March 7, 2012
Arte en la Red, March 7, 2012
RITMOS XXI, March 7, 2012
El Correo Gallego, March 6, 2012
El País, Ángeles García, March 6, 2012
Burlington Magazine, Lady Marina Vaizey, April 27, 2011
Bloomberg Online, Martin Gayford, April 17, 2011
Financial Times, Francis Hodgson, February 25, 2011
Arts Desk, Judith Flanders, February 23, 2011
History Today, Sheila Corr, February 18, 2011
Time Out London, Nina Kaplan, February 17, 2011
Artdaily, February 17, 2011
Culture 24, Laura Burgess, February 17, 2011
AnOther Mag, Lucia Davies, February 16, 2011
BBC Radio 4, John Wilson, February 16, 2011
BBC Radio 3, Anne McElvoy, February 15, 2011
The Telegraph, Lucy Davies, February 15, 2011
The Observer, Laura Cumming, February 13, 2011
The Guardian, Maev Kennedy, October 07, 2010
The Telegraph, October 07, 2010
The Independent, Robert Dex, October 07, 2010
Wales Online, Daniel Fisher, October 08, 2010

 

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