Circle of Truth
49 Paintings Ending with Ed Ruscha

A Visual Game of  "Telephone"


“Circle of Truth redefines what ‘immersive’ can mean. Following the numbers on the walls feels like you're going on a scavenger hunt or putting together a puzzle that's challenging, but not impossible, to solve.”

–Jeffrey Edalatpour, Metroactive


Circle of Truth is the visual equivalent of the childhood game where a message whispered in the ear of a first person, then relayed to a second person, a third, and so on until the original message becomes so mangled by its reinterpretation that by the time it arrives at its final understanding the words hardly bear any resemblance to the original.

This domino chain started with a source painting created by Circle of Truth co-curator Shane Guffogg, whose work was delivered anonymously, along with a blank canvas, to the second artist in “the Circle.” Each subsequent artist then received an identical package: the anonymously created previous artist’s painting, a blank canvas, and the instructions to find and paint their response to the “truth” that they saw in the first painting. This chain was repeated to some 49 artists over a period of nine years.

The resulting exhibition and accompanying catalogue provides a compelling insight into the creative process. The particular vision each artist brings to this Circle of Truth shows us just how differently we all see the world. Sequentially hung from the first painting, Shane Guffogg’s musing on the spatial ratio of “the golden mean” evolved to painting number 49 by Ed Ruscha who muses on an alternative truth with his work titled “In”.

This visual dialogue conducted by some of our leading contemporary artists could not be more relevant in a time when “fake news” has become the currency of the media. It raises questions of perception, integrity, authenticity and the state of ethical values in contemporary society. Perhaps we come away with the idea that “truth” itself is relative. Or perhaps the Circle of Truth asks us a series of larger questions such as: “What is our responsibility to preserve truth? How does the subtle erosion of our belief in “truth” affect us? The Circle of Truth asks us to join in the conversation and decide for ourselves where we stand.


WORKS
49 framed artworks (oil, acrylic and mixed media)
1 exhibition crate

DIMENSIONS
(49) 20 x 20 in (51 x 51 cm)

SPACE REQUIREMENTS
163 linear feet (50 linear meters)

EXHIBITOR RESOURCES
Prospectus (See Below)

EDUCATIONAL PROGRAMMING
Artist available for lectures and panel discussions

INSTALLATION
Works are hung in chronological order with accompanying labels.
Labels include artists’ notes.
Checklist can not be modified.

INQUIRIES
exhibitions@curatorial.org | 626.577.0044

FEE
Please inquire

EXHIBITION SCHEDULE

Biggs Museum of American Art | Dover, Delaware
(July 25 – September 22, 2024)

Sordoni Art Gallery | Wilkes-Barre, Pennsylvania
(June 6 – July 25, 2023)

Susquehanna Art Museum | Harrisburg, Pennsylvania
(June 4 - September 19, 2021)


CURATORS’ BIOGRAPHIES

Laura Hipke
is an American artist, curator and author. Born in California but spent most of her childhood in a small town near Vancouver, Washington. She is self-taught except for a brief stay at California Institute of the Arts when she was sixteen years old. Her studio is located in Montrose, California, a speck on the map just north of Glendale which suits her small town sensibilities.

Shane Guffogg was born in Los Angeles, California and raised on an exotic bird farm in the San Joaquin Valley. He received his B.F.A. from Cal Arts, and during his studies he interned in New York City. He relocated to Los Angeles, where he lived in Venice Beach and worked as a Studio Assistant for Ed Ruscha from 1989 until 1995. His work began exploring the iconography of Ancient, Classical, Renaissance, Modern and Contemporary cultures, and the relationships among the various times and peoples. During this exploration he found that painting is one of the few art forms that may express what language cannot. The resulting work contains its own language of sign and symbol, and in its patterning, visual depth, and light, simultaneously seems to refer to emotion, to the human spirit, and to the unseen worlds of Quantum Physics and Super String Theory.


EXHIBITION CHECKLIST
Download PDF

PROSPECTUS
Download PDF

REVIEWS
KPIX 5 San Fransisco, 2019 (interview)
Juxtapose, 2019
MetroActive, 2018

VIDEO GALLERY

 
 

Four Sequence Examples With Artists’ Notes

1_Shane Guffogg_Circle of Truth Project.jpg

#1
Shane Guffogg
June 2009
Oil on Linen

“The Golden Mean is the mathematical code of nature that gives the flower the instructions on how to grow its petals, or the ratio of the inner part versus the outer part of water as it goes down a drain. It is the same ratio up in the sky that we can see on a clear night — the way the solar systems revolve around the center of the Milky Way Galaxy.”

2_Lisa Adams_Circle of Truth Project.jpg

#2
Lisa Adams
June 2009
Oil on Linen

“Overlaying stripes across the entire surface of the painting, I created a look much like the experience of rushing by a fence and seeing the landscape beyond, like a Muybridge effect. Whereas the given painting feels soft in focus and attitude, I responded with a cold and hard-edged attitude.”

3_Margaret Lazzari_Circle of Truth Project.jpg

#3
Margaret Lazzari
June 2009
Acrylic on Linen

“When I stared fixedly at the painting, pink afterimages appeared like dancing lines jumping around the blue bars, or pink clouds floating among the blue amorphous shapes. Rigidity, clarity, and definition dissolved, reappeared, and dissolved again.”

8_Michelle Weinstein_Circle of Truth Project.jpg

#8
Michelle Weinstein
October 2009
Mixed Media on Linen

“I knew I wanted the piece to hover between an analysis (all of the discoveries about the birth of the universe as we know them today were discovered in a laboratory, and I wanted this implied visually) while creating forms that were biomorphic, squiggly, wriggling with beginnings.”

9_Vonn Sumner_Circle of Truth Project.jpg

#9
Vonn Sumner
November 2009
Oil on Linen

“I found it surprisingly frustrating. I started over. Staring again at the piece I was given, I tried to see the essence of what was there.”

10_Ruth Weisberg_Circle of Truth Project.jpg

#10
Ruth Weisberg
March 2010
Oil on Linen

“In pursuit of Truth, we are only allowed to see one link, one small part of the larger puzzle. The Surrealists who invented the game of Exquisite Corpse hoped that a mysterious and only partially revealed prompt would provide access to the unconscious and encourage great leaps of the imagination.”

32_Justin Bower_Circle of Truth Project.jpg

#32
Justin Bower
June 2011
Oil on Linen

“I was interested in the Heisenbergian concept I saw in the previous painting, it reminded me of an illustration of what quantum mechanics would look like. I saw particles moving, existing in two states at once, uncertain of any real stability.”

33_Lita Albuquerque_Circle of Truth Project.jpg

#33
Lita Albuquerque
July 2011
Oil on Linen

“I could not get anywhere and was very frustrated and covered it over many times as it just was not happening.”

34_Kim Abeles_Circle of Truth Project.jpg

#34
Kim Abeles
November 2011
Mixed Media on Linen

“Each death reminds us how lucky we are to have-another-day. Each passing friend continues to watch us, prodding us to quit whining over our failures and prompting us to keep trying since that’s where faith is located. So at some point, seven or nearly eight dots give way to 120 gold spots, maybe stars, or probably angels.”

47_Cal Lane_Circle of Truth Project_RGB.jpg

#47
Cal Lane
July 2014
Steel and Fabric on Canvas

“The fabric suggested a lot of the narrative that seemed to be happening in the painting that I received, while overlaying the steel brought in the focus of the conversation. The guns point at each other showing a useless conflict. The map and foolscap bring in visual suggestions of school and history.”

48_Lisa Bartleson__Circle of Truth Project_RGB.jpg

#48
Lisa Bartleson
October 2014
Ink on School Uniform Blouse

“Women were shot, doused with acid, poisoned, kidnapped, raped and killed – and still many persevered. This work is comprised of media clippings concerning violence against women and girls seeking to better themselves and their community through education. The weight of the words is carried on the back of a typical school uniform blouse.”

49_Ed Ruscha_Circle of Truth Project_RGB.jpg

#49
Ed Ruscha
January 2016
Acrylic on Linen


Previous
Previous

Unspeakably Queer | Boundary-breaking Individuals by E. O. Hoppé

Next
Next

Michel Kameni | Portraits of an Independent Africa