Circle of Truth
49 Paintings Ending with Ed Ruscha
A Visual Game of "Telephone"
“Circle of Truth redefines what ‘immersive’ can mean. Following the numbers on the walls feels like you're going on a scavenger hunt or putting together a puzzle that's challenging, but not impossible, to solve.”
–Jeffrey Edalatpour, Metroactive
Circle of Truth is the visual equivalent of the childhood game where a message whispered in the ear of a first person, then relayed to a second person, a third, and so on until the original message becomes so mangled by its reinterpretation that by the time it arrives at its final understanding the words hardly bear any resemblance to the original.
This domino chain started with a source painting created by Circle of Truth co-curator Shane Guffogg, whose work was delivered anonymously, along with a blank canvas, to the second artist in “the Circle.” Each subsequent artist then received an identical package: the anonymously created previous artist’s painting, a blank canvas, and the instructions to find and paint their response to the “truth” that they saw in the first painting. This chain was repeated to some 49 artists over a period of nine years.
The resulting exhibition and accompanying catalogue provides a compelling insight into the creative process. The particular vision each artist brings to this Circle of Truth shows us just how differently we all see the world. Sequentially hung from the first painting, Shane Guffogg’s musing on the spatial ratio of “the golden mean” evolved to painting number 49 by Ed Ruscha who muses on an alternative truth with his work titled “In”.
This visual dialogue conducted by some of our leading contemporary artists could not be more relevant in a time when “fake news” has become the currency of the media. It raises questions of perception, integrity, authenticity and the state of ethical values in contemporary society. Perhaps we come away with the idea that “truth” itself is relative. Or perhaps the Circle of Truth asks us a series of larger questions such as: “What is our responsibility to preserve truth? How does the subtle erosion of our belief in “truth” affect us? The Circle of Truth asks us to join in the conversation and decide for ourselves where we stand.
WORKS
49 framed artworks (oil, acrylic and mixed media)
1 exhibition crate
DIMENSIONS
(49) 20 x 20 in (51 x 51 cm)
SPACE REQUIREMENTS
163 linear feet (50 linear meters)
EXHIBITOR RESOURCES
Prospectus (See Below)
EDUCATIONAL PROGRAMMING
Artist available for lectures and panel discussions
INSTALLATION
Works are hung in chronological order with accompanying labels.
Labels include artists’ notes.
Checklist can not be modified.
INQUIRIES
exhibitions@curatorial.org | 626.577.0044
FEE
Please inquire
EXHIBITION SCHEDULE
Biggs Museum of American Art | Dover, Delaware
(July 25 – September 22, 2024)
Sordoni Art Gallery | Wilkes-Barre, Pennsylvania
(June 6 – July 25, 2023)
Susquehanna Art Museum | Harrisburg, Pennsylvania
(June 4 - September 19, 2021)
CURATORS’ BIOGRAPHIES
Laura Hipke is an American artist, curator and author. Born in California but spent most of her childhood in a small town near Vancouver, Washington. She is self-taught except for a brief stay at California Institute of the Arts when she was sixteen years old. Her studio is located in Montrose, California, a speck on the map just north of Glendale which suits her small town sensibilities.
Shane Guffogg was born in Los Angeles, California and raised on an exotic bird farm in the San Joaquin Valley. He received his B.F.A. from Cal Arts, and during his studies he interned in New York City. He relocated to Los Angeles, where he lived in Venice Beach and worked as a Studio Assistant for Ed Ruscha from 1989 until 1995. His work began exploring the iconography of Ancient, Classical, Renaissance, Modern and Contemporary cultures, and the relationships among the various times and peoples. During this exploration he found that painting is one of the few art forms that may express what language cannot. The resulting work contains its own language of sign and symbol, and in its patterning, visual depth, and light, simultaneously seems to refer to emotion, to the human spirit, and to the unseen worlds of Quantum Physics and Super String Theory.
PARTICIPATING ARTISTS
Kim Abeles, Lisa Adams, Lita Albuquerque, Charles Arnoldi, Lisa Bartleson, Billy Al Bengston, Justin Bower, Virginia Broersma, Randall Cabe, Rhea Carmi, Greg Colson, Jeff Colson, Stanley Dorfman, Cheryl Ekstrom, Jimi Gleason, Rives Granade, Ron Griffin, Alex Gross, Shane Guffogg, Lynn Hanson, Doro Hofmann, Tim Isham, Kim Kimbro, Bari Kumar, Cal Lane, Margaret Lazzari, Mark Licari, Dan Lutzick, Deborah Martin, Susan McDonnell, Christopher Monger, Jim Morphesis, Andy Moses, Juan Carlos Munoz Hernandez, Gary Panter, Daniel Peacock, Bruce Richards, Michael Rosenfeld, Ed Ruscha, Eddie Ruscha, Paul Ruscha, John Scane, Vonn Sumner, Matthew Thomas, Alison Van Pelt, Michelle Weinstein, Ruth Weisberg, Robert Williams and Todd Williamson.
EXHIBITION CHECKLIST
Download PDF
PROSPECTUS
Download PDF
REVIEWS
KPIX 5 San Fransisco, 2019 (interview)
Juxtapose, 2019
MetroActive, 2018
VIDEO GALLERY
Four Sequence Examples With Artists’ Notes
#1
Shane Guffogg
June 2009
Oil on Linen
“The Golden Mean is the mathematical code of nature that gives the flower the instructions on how to grow its petals, or the ratio of the inner part versus the outer part of water as it goes down a drain. It is the same ratio up in the sky that we can see on a clear night — the way the solar systems revolve around the center of the Milky Way Galaxy.”
#2
Lisa Adams
June 2009
Oil on Linen
“Overlaying stripes across the entire surface of the painting, I created a look much like the experience of rushing by a fence and seeing the landscape beyond, like a Muybridge effect. Whereas the given painting feels soft in focus and attitude, I responded with a cold and hard-edged attitude.”
#3
Margaret Lazzari
June 2009
Acrylic on Linen
“When I stared fixedly at the painting, pink afterimages appeared like dancing lines jumping around the blue bars, or pink clouds floating among the blue amorphous shapes. Rigidity, clarity, and definition dissolved, reappeared, and dissolved again.”
#8
Michelle Weinstein
October 2009
Mixed Media on Linen
“I knew I wanted the piece to hover between an analysis (all of the discoveries about the birth of the universe as we know them today were discovered in a laboratory, and I wanted this implied visually) while creating forms that were biomorphic, squiggly, wriggling with beginnings.”
#9
Vonn Sumner
November 2009
Oil on Linen
“I found it surprisingly frustrating. I started over. Staring again at the piece I was given, I tried to see the essence of what was there.”
#10
Ruth Weisberg
March 2010
Oil on Linen
“In pursuit of Truth, we are only allowed to see one link, one small part of the larger puzzle. The Surrealists who invented the game of Exquisite Corpse hoped that a mysterious and only partially revealed prompt would provide access to the unconscious and encourage great leaps of the imagination.”
#32
Justin Bower
June 2011
Oil on Linen
“I was interested in the Heisenbergian concept I saw in the previous painting, it reminded me of an illustration of what quantum mechanics would look like. I saw particles moving, existing in two states at once, uncertain of any real stability.”
#33
Lita Albuquerque
July 2011
Oil on Linen
“I could not get anywhere and was very frustrated and covered it over many times as it just was not happening.”
#34
Kim Abeles
November 2011
Mixed Media on Linen
“Each death reminds us how lucky we are to have-another-day. Each passing friend continues to watch us, prodding us to quit whining over our failures and prompting us to keep trying since that’s where faith is located. So at some point, seven or nearly eight dots give way to 120 gold spots, maybe stars, or probably angels.”
#47
Cal Lane
July 2014
Steel and Fabric on Canvas
“The fabric suggested a lot of the narrative that seemed to be happening in the painting that I received, while overlaying the steel brought in the focus of the conversation. The guns point at each other showing a useless conflict. The map and foolscap bring in visual suggestions of school and history.”
#48
Lisa Bartleson
October 2014
Ink on School Uniform Blouse
“Women were shot, doused with acid, poisoned, kidnapped, raped and killed – and still many persevered. This work is comprised of media clippings concerning violence against women and girls seeking to better themselves and their community through education. The weight of the words is carried on the back of a typical school uniform blouse.”
#49
Ed Ruscha
January 2016
Acrylic on Linen